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BEGIN:VEVENT
DTSTART;VALUE=DATE:20190425
DTEND;VALUE=DATE:20190428
DTSTAMP:20260415T152448
CREATED:20190424T230000Z
LAST-MODIFIED:20211011T151046Z
UID:113-1556150400-1556409599@germanscreenstudies.wp.st-andrews.ac.uk
SUMMARY:BAFTSS 7th Annual Conference: 25-27 April 2019
DESCRIPTION:The theme of the BAFTSS 7th Annual Conference University of Birmingham\, 25-27 April 2019\,  is ‘Intersecting Identities: Race\, Sex\, Nation.’  Deadline for proposals is: Friday 14 December 2018 with completed proposal forms sent to baftssconference[at]gmail.com \nIf you are interested in organising a panel or presenting a paper with the GSSN group at the conference\, please contact Helen Hughes h.hughes[at]surrey.ac.uk and Elizabeth Ward e.m.ward[at]hull.co.uk by 1 December 2018. \nIndividual abstracts and additional panels can of course be submitted and it would be great to see as many papers as possible on German-language cinema. \nBAFTSS has announced a\, scheme offering £300 funding to support the organisation of an event (typically a seminar or conference). The funding is open to postgraduates and faculty. The event must occur before 30 September 2019. The application must be made at least 3 months in advance of the event.
URL:https://germanscreenstudies.wp.st-andrews.ac.uk/event/baftss-7th-annual-conference-25-27-april-2019/
LOCATION:University of Birmingham
CATEGORIES:Symposia
ATTACH;FMTTYPE=image/jpeg:https://germanscreenstudies.wp.st-andrews.ac.uk/files/2019/04/christian-fregnan-339342.max-600x300-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20181026T180000
DTEND;TZID=Europe/London:20181027T180000
DTSTAMP:20260415T152448
CREATED:20181026T170000Z
LAST-MODIFIED:20211011T151157Z
UID:124-1540576800-1540663200@germanscreenstudies.wp.st-andrews.ac.uk
SUMMARY:Lotte Eisner: writer\, archivist\, curator
DESCRIPTION:This two-day symposium explores and celebrates the work and legacy of Lotte Eisner\, author of the seminal text on Weimar silent film The Haunted Screen (orig.1952). A film critic\, journalist and\, for over thirty years\, archivist at the Cinémathèque Française\, Eisner\, was born in Berlin in 1896  as the daughter of a wealthy assimilated Jewish family. She died in Paris in 1983\, having fled there in 1933 and where she remained for the rest of her life. Eisner spent her life and career writing about other people and collecting and archiving their work\, first as a journalist in Berlin and then as an archivist in Paris. This symposium is an opportunity to focus entirely on Eisner’s own outstanding contribution to film history\, from her early days writing for the Film-Kurier in Berlin\, through her books\, The Haunted Screen\, FW Murnau (1964) and Fritz Lang (1976)\, to her extraordinary thirty-five year career collecting and archiving for the Cinémathèque Française. Following a preview screening at the Goethe-Institut London of Wim Wenders’ Palme d’Or-winning Paris Texas (1983-4)\, which he dedicated to Eisner\, the symposium begins on Friday 26th October with an introduction and screening in the Birkbeck Cinema of Sohrab Saless’ extended film interview with Eisner\, The Long Vacation of Lotte H. Eisner (1979). The event continues at King’s College London on Saturday 27th October with rare audio recordings of Eisner\, and presentations from Professor Janet Bergstrom (UCLA)\, Professor Michael Wedel (Cinepoetics Berlin/Film University Potsdam)\, Naomi DeCelles (UC Santa Barbara) and Julia Eisner (King’s College London). The symposium focuses among other topics on Eisner’s writing on Murnau\, and features a screening of Murnau’s City Girl (1930). \n \nParis Texas The screening takes place on Wednesday 26 September\, 19.00: Paris Texas (Wenders 1983/4): Goethe-Institut London\, 50 Princes Gate\, Exhibition Road\, SW7 2PH (details here). Beginning on Friday 26 October 2018 with an introduction and screening in the Birkbeck Cinema of Sohrab Saless’ extended film interview with Eisner\, The Long Vacation of Lotte H. Eisner (1979) the symposium continues at King’s College London on Saturday 27th with rare audio recordings of Eisner\, and presentations from Professor Janet Bergstrom (UCLA)\, Professor Michael Wedel (Cinepoetics Berlin/Film University Potsdam)\, Naomi DeCelles (UC Santa Barbara) and Julia Eisner (King’s College London). The symposium focuses among other topics on Eisner’s writing on Murnau\, and features a screening of Murnau’s City Girl (1930). Friday 26 October\, 18.00: Birkbeck Institute for the Moving Image\, Birkbeck Cinema\, 43 Gordon Square\, Bloomsbury\, London WC1H 0PD (directions here).  If you wish to attend this event\, please register here. Saturday 27 October\, 9.30 – 18.00: Nash Lecture Theatre\, Room K2.31\, King’s Building\, King’s College London\, Strand\, London WC2R 2LS (directions here).  If you wish to attend this event\, please register here. The programme for the symposium is available to download here. The organisers gratefully acknowledge the support of the Goethe-Institut London; DAAD (German Academic Exchange Service); Birkbeck Institute for the Moving Image (BIMI); King’s College London; and the German Screen Studies Network.
URL:https://germanscreenstudies.wp.st-andrews.ac.uk/event/lotte-eisner-writer-archivist-curator/
LOCATION:Birkbeck Institute for the Moving Image\, Birkbeck Cinema/Nash Lecture Theatre\, King’s College London\, 43 Gordon Square\, London\, WC1H 0PD\, United Kingdom
CATEGORIES:Symposia
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180615
DTEND;VALUE=DATE:20180618
DTSTAMP:20260415T152448
CREATED:20210824T191352Z
LAST-MODIFIED:20211011T151218Z
UID:129-1529020800-1529279999@germanscreenstudies.wp.st-andrews.ac.uk
SUMMARY:May ’68 and its Legacies
DESCRIPTION:The GSSN is pleased to announce its participation in the forthcoming programme of events on May ’68 and its Legacies at King’s College London. Highlights include a weekend symposium (Friday June 15th – Sunday June 17th)\, including screenings and discussions with filmmakers Jochen Gerz (Saturday 16th\, 13.30 – 14.25) and Helke Sander (Sunday 17th\, 13.20 – 14.50). \n \nHelke Sander’s Sunday afternoon session includes screenings of two early films\, Subjektitüde (1966) and Brecht die Macht der Manipulateure (Break the Power of the Manipulators\, 1967)\, and a Q&A with Erica Carter of the GSSN. \nEntrance to the symposium is free\, but booking is required. \nClick here for registration. \nFor full details of the ‘1968 and its legacies’ series\, including workshops\, symposium\, and film screenings\, please visit this dedicated website.
URL:https://germanscreenstudies.wp.st-andrews.ac.uk/event/may-68-and-its-legacies/
LOCATION:King’s College London
CATEGORIES:Symposia
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180412
DTEND;VALUE=DATE:20180414
DTSTAMP:20260415T152448
CREATED:20180411T230000Z
LAST-MODIFIED:20211011T151229Z
UID:134-1523491200-1523663999@germanscreenstudies.wp.st-andrews.ac.uk
SUMMARY:Baftss 2018: Revolution: Politics\, Technology\, Aesthetics
DESCRIPTION:The German Screen Studies Special Interest Group (SIG) aims to run one or two panels annually at the BAFTSS yearly conference and the next one takes place 12-13 April 2018 at the University of Kent. \nThis is the call for papers with a deadline of 15 November 2017: \n“The German Screen Studies Network would like to present a panel of papers on German language or related screen media at the BAFTTS conference in April 2018. Suggested themes include: ‘thematically or aesthetically innovative films’\, ‘filmmakers and film movements’; ‘the relationship between film and politics’; ‘the impact of new technologies’. \n  \nClearly there are many possibilities connected with individual filmmakers who have experimented with form and politics: Helke Sander\, Valie Export\, Harun Farocki\, Straub/Huillet etc. It could be that a different angle could be found\, such as the retro-revolutionary strategy of black and white documentary in the GDR.  A strong theme might be to take a look at contemporary feminist performance documentations and artist’s film or gallery filmmaking such as that of Elke Krystufek amongst many others. \n  \nIt should be noted that to present at BAFTSS you must be a member.Membership runs from January to December. More information can be found here: \nPlease send expressions of interest and ideas to h.hughes [at] surrey.ac.uk  by 15th November.”
URL:https://germanscreenstudies.wp.st-andrews.ac.uk/event/baftss-2018-revolution-politics-technology-aesthetics/
LOCATION:London
CATEGORIES:Symposia
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20170513T120000
DTEND;TZID=Europe/London:20170513T140000
DTSTAMP:20260415T152448
CREATED:20170513T110000Z
LAST-MODIFIED:20211011T151428Z
UID:137-1494676800-1494684000@germanscreenstudies.wp.st-andrews.ac.uk
SUMMARY:The Bitter Tears of Fassbinder's Women
DESCRIPTION:Fassbinder’s creative and personal relationships with women are discussed in this symposium which is presented by the BFI’s Margaret Deriaz\, together with Martin Brady from King’s. \nTickets and details available via the BFI website.
URL:https://germanscreenstudies.wp.st-andrews.ac.uk/event/the-bitter-tears-of-fassbinders-women/
LOCATION:NFT 3\, BFI Southbank\, London
CATEGORIES:Symposia
ATTACH;FMTTYPE=image/jpeg:https://germanscreenstudies.wp.st-andrews.ac.uk/files/2017/05/lola-01.width-1280.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20160908T090000
DTEND;TZID=Europe/London:20160910T180000
DTSTAMP:20260415T152448
CREATED:20160908T080000Z
LAST-MODIFIED:20211012T144955Z
UID:141-1473325200-1473530400@germanscreenstudies.wp.st-andrews.ac.uk
SUMMARY:Living Pasts\, Moving Present - 4th Annual Symposium
DESCRIPTION: Three days of screenings\, workshops and panel discussions exploring cinema as a resource for reshaping a crisis-ridden global present. The event begins at Queen Mary University of London on Thursday 8th September with an open research forum\, followed by a workshop on Berlin Arsenal’s Living Archive project featuring special guests Senta Siewert (Goethe-Universität Frankfurt) and Stefanie Schulte Strathaus (Arsenal). The workshop sets the tone for an evening screening exploring experiments in film rhythm from Lotte Reiniger to Ruth Le Gear. Moving to King’s College London on Friday 9th September\, panels and screenings showcase filmmaking projects that reanimate the lost heritage of archive and early silent film through historical documentary (Dreams Rewired/Mobilisierung der Träume\, Manu Luksch\, Martin Reinhart\, Thomas Tode\, 2015); DIY cinema (Labor Berlin); and experimental short films including Florian Zeyfang’s Splicefilm (2013) and Susanne Sachsse’s Serious Ladies (2012). On Saturday 10th the focus shifts to the contemporary moment with panels and screenings on modernist explorations of film time (Straub-Huillet); on neoliberal future visions (Fictions and Futures #1. Happiness in the Abstract\, 2013); and on activist projects including the short film compilation Research Refugees\, and the Nigerian archive and curatorial project Reclaiming History\, Unveiling Memory (Didi Cheeka\, Lagos Film Society).   The full programme is here.
URL:https://germanscreenstudies.wp.st-andrews.ac.uk/event/living-pasts-moving-present-4th-annual-symposium/
LOCATION:King’s College London
CATEGORIES:Symposia
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20150709
DTEND;VALUE=DATE:20150712
DTSTAMP:20260415T152448
CREATED:20150708T230000Z
LAST-MODIFIED:20211012T144814Z
UID:145-1436400000-1436659199@germanscreenstudies.wp.st-andrews.ac.uk
SUMMARY:Screening work
DESCRIPTION:SCREENING WORK UNIVERSITY OF CAMBRIDGE FRIDAY 10 – SATURDAY 11 JULY 2015 \nAt Screening Work\, students\, academics and interested members of the public were invited to explore\, through subtitled film screenings and talks\, the changing depiction of work in German-language moving image culture.  Filmmaker Carmen Losmann attended the symposium and presented her award-winning film Work Hard Play Hard (2011). Distinguished speakers included the film theorist and critic Professor Gertrud Koch (Freie Universität Berlin)\, and Professor Annette Brauerhoch (University of Paderborn)\, co-editor of the feminist film journal frauen und film. The symposium was preceded by a one-day postgraduate workshop featuring presentations by PhD students from the UK and Germany working on German-language film. Funded by the German Academic Exchange Service (DAAD) and the Schröder Fund at University of Cambridge\, with support from the Goethe-Institut. \nSYMPOSIUM 2016 \nOrganising Committee (Cambridge): Annie Ring (Symposium Director); Andrew Webber\, Rafael Dernbach GSSN coordinators (King’s College London): Eleanor Halsall (GSSN Network Coordinator)\, Erica Carter. \n \n  \n  \n 
URL:https://germanscreenstudies.wp.st-andrews.ac.uk/event/screening-work/
LOCATION:University of Cambridge
CATEGORIES:Symposia
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20140909
DTEND;VALUE=DATE:20140912
DTSTAMP:20260415T152448
CREATED:20140908T230000Z
LAST-MODIFIED:20211011T151746Z
UID:149-1410220800-1410479999@germanscreenstudies.wp.st-andrews.ac.uk
SUMMARY:Translating Stars: German Cinema in a transnational context.
DESCRIPTION:The second GSSN symposium was held at the University of Leeds from 9 to 11 September 2014. \nOrganised by Dr Chris Homewood\, and PhD coordinators Rachel Greene and Luke Postlethwaite\, this event looked at ways of understanding transnational cinemas through the careers of German-speaking stars past and present\, including Emil Jannings\, Pola Negri\, Daniel Brühl and Sibel Kikelli. Full programme here.
URL:https://germanscreenstudies.wp.st-andrews.ac.uk/event/translating-stars-german-cinema-in-a-transnational-context/
LOCATION:University of Leeds
CATEGORIES:Symposia
ATTACH;FMTTYPE=image/jpeg:https://germanscreenstudies.wp.st-andrews.ac.uk/files/2014/09/Negri_Pola.width-1280.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20130703
DTEND;VALUE=DATE:20130706
DTSTAMP:20260415T152448
CREATED:20130702T230000Z
LAST-MODIFIED:20211011T151752Z
UID:152-1372809600-1373068799@germanscreenstudies.wp.st-andrews.ac.uk
SUMMARY:The Return of the Real
DESCRIPTION:The first GSSN Symposium\, ‘The Return of the Real — Realism and Everyday Life in Contemporary German-language Film\,’ was held at King’s College London from 3 to 5 July 2013. The event established a model for future symposia\, with a mix of screenings\, keynote speeches and informal panels\, as well as a postgraduate workshop and a filmmaker workshop. \nThe founding organising committee comprised Martin Brady\, Erica Carter\, Florian Lippert\, Andre Hammelmann (King’s College London) and Tom Haynes (UCL). The Goethe-Institut London generously supported the event with a three-month film season through spring 2013\, and an invitation to a visiting director\, Elke Hauck\, whose film Karger was be screened at the Goethe-Institut. \nVIEW THE SYMPOSIUM PROGRAMME
URL:https://germanscreenstudies.wp.st-andrews.ac.uk/event/the-return-of-the-real/
LOCATION:King’s College London
CATEGORIES:Symposia
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END:VEVENT
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